Rough Sketch

Trained as a traditional Illustrator, I start all of my projects on the drawing board. I consider the design and composition of an illustration to be one of the most crucial elements of an images success.

Color Comp

Once the Rough Sketch is completed I then scan the image into the computer. Using various programs I knock out a few color comps.

Finished Line Drawing

Once the client has approved the rough sketch and color comp, I then will shoot reference (where neccesary) and finalize the line drawing. At this stage I bring in all of the final details and flush out any "problem" areas within the illo's design. I'm a stickler for details, I like to get 'em right!

Final Rendering

Finally, I scan in the finished line drawing and begin the final illustration.

Depending upon the size and usage, I will usually build in alot of extra bleed just in case the packaging specs change or the client decides to use the image in another format. (better safe than sorry) In some cases, such as the one below, I have to take in to account multiple box formats.

(final cropping for Hang Time)

This simplified diagram (below) shows one of the many techniques I use when creating an illustration. By using multiple layers I'm able to adjust colors, move objects or do just about any revision an art director may require of me in a matter of minutes.

Once a project is finished, I will supply the client with the final art on CD or Zip disk. And if neccesary, I can even arrange for film output at reasonable rates.

I've worked hard to create a state of the art studio, with all the latest software and the best hardware. Since I'm on the internet I can supply my clients with comps anywhere at anytime! And revisions can be made as if I was right next door.

I look forward to the opportunity of working with you!